MOVIE
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Sound Of Falling review – a complex puzzle box…
The old adage ‘History doesn’t repeat itself, but it does rhyme’ lies at the heart of Mascha Schilinski’s Sound of Falling,…
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If you don’t play, you can’t win: Desert Hearts…
Forty years on, the film is often branded ‘the lesbian Brokeback Mountain’. Though it’s a rather lazy point of comparison (not…
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A Private Life review – a limp and convoluted…
The sight of Jodie Foster speaking fluent French is the most engaging element of this limp and convoluted psychodrama from…
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The Bride! review – it’s alive, but at what cost?
At this point in my career as a film critic, it’s not often that a film leaves me truly baffled – perhaps…
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Reprise and the search for authorial integrity
“Girls aren’t cool,” their friend Lars (Christian Rubeck) announces at a party, as if women are an accessory. “They can be…
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Daniel Blumberg: ‘The ingredients were there to…
Daniel Blumberg is an omnivorous artist, bringing intense conviction and curiosity to song form, improvised live performance, visual artwork and…
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Sirāt review – a truly staggering, major film
Euphoria and devastation are the twin emotional poles that prop up the lopsided big top that is Oliver Laxe’ Sirât,…
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Diving into the SXSW film line-up
In a landscape where film festivals have had to jostle violently for the attention of sales agents and studios, it helps…
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The Testament of Ann Lee review – expands the…
The story is delivered through the awed narration of Sister Mary Partington (Thomasin McKenzie), which allows us to enjoy the…
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Amanda Seyfried: ‘This movie has changed me’
Amanda Seyfried is unwrapping a magic set she just purchased from Hamleys as I walk into a hotel room in London to interview…
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