MOVIE
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Time and Water review – a lament for a…
“I cannot send you a glacier, but at least I can send you this.” Time and Water sets out its purpose early on.…
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The Boy with the Light-Blue Eyes – first-look…
A cursed teenager dreams of escape in Thanasis Neofotistos’ folkloric debut feature, The Boy with the Light-Blue Eyes. Set in…
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Disclosure Day review – distinctly lacking in…
So far, so Spielberg – he sets the stage for an ambitious, epic, action-heavy story about a group of do-gooders facing…
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Mare’s Nest review – a burnished gem from a…
Although their budgets and cinematic ethos are markedly different, there really aren’t that many degrees of separation between British experimental…
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Scary Movie review – belated return of the…
Like an irksome stinging insect nonetheless vital to controlling excess animal population, the Scary Movie franchise serves a worthy function in…
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A T&M Cannes Film Festival Special #2
A T&M Cannes Film Festival Special #2 On Truth & Movies this week, Hannah Strong reports live from the Cannes…
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Inside Chronically Online: a big-screen…
The British Film Institute was following a similar trail of hyperlinks. Kitty Robertson, an assistant curator at the BFI National Archive,…
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Backrooms review – sincerely disturbing and…
Western horror cinema tends to come in waves: 80s slashers, 90s meta-comedies, 2000s torture porn, 2010s found footage, and most…
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Hacks was always a love story
Hacks contains multitudes; at once it’s a giddy comedy, an unpredictable drama, and an endlessly fruitful sitcom, but more than anything, Hacks…
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Power Ballad review – amiable musical comedy…
The name of the film is Power Ballad; the name of its lead character is Rick Power. Is there anything…
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