MOVIE
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Chloé Zhao: ‘There’s a desire for the language of…
The career ascent of writer/director Chloé Zhao has been immense, taking in intimate indie dramas (Songs My Brother Taught Me,…
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Peter Hujar’s Day review – Ira Sachs’ best film…
It’s only a matter of time before kids are doing the Peter (Hujar) Pilgrimage: a leisurely photographer’s stroll down New York’s 2nd…
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The Housemaid review – what a mess
I first became acquainted with Freida McFadden’s New York Times bestselling thriller ‘The Housemaid’ earlier in 2025, when I stumbled across…
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It’s a Wrap: 2025 in Film
Emily Maskell Five personal favourite films of 2025 Sentimental Value (Joachim Trier) Sorry, Baby (Eva Victor) April (Dea Kulumbegashvili) Flow (Gints…
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Avatar: Fire and Ash review – another James…
Despite its entirely digital construction and sometimes uncanny mix of 24 and 48FPS 3D, Avatar: Fire and Ash is full…
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Coming of age with Rob Reiner
“It was the summer of 1959, a long time ago. But only if you measure it in terms of years.” Richard…
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Ella McCay review – comfort food reheated, with a…
It’s been 15 years since filmmaker and TV legend James L Brooks last attempted to make a romantic comedy. The memory of 2010’s How…
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Eleanor the Great review – has all the…
When 94-year-old Eleanor’s (June Squibb) best friend of 70 years and roommate Bessie (Rita Zohar) passes away, she decides it’s time…
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Christmas, Again review – a perfectly-rounded Yuletide bauble
This indie gem from 2014 comes to UK cinemas for the first time, and it’s an example of elite Holiday…
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Lurker review – an excellent showcase for…
In his controversial but undeniably significant smash hit ‘Stan’, Eminem relayed the story of an obsessive fan who would do…
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