MOVIE
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Inside the 18th edition of Toronto's Palestine Film Festival
Putting on this year’s festival of Palestinian film in the Canadian cultural hub wasn’t easy, but the stories kept coming.…
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Hedda review – Tessa Thompson reshapes the…
For a director’s project that would come in between an MCU sequel and the latest in the 28 Days… zombie horror…
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Springsteen: Deliver Me From Nowhere review – a…
One of the things that was really bad about the Timothée Chalamet Bob Dylan movie from 2024 is that its…
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Seven Unexpected Gems from the 2025 BFI London…
Amidst this year’s grand line-up of London Film Festival galas, a treasure trove of titles awaited discovery: BFI restorations, archival interventions,…
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Good Fortune review – a mostly unremarkable…
Try as he might, Aziz Ansari can’t quite seem to read the room. One of the more egregious examples of…
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LWLies 110: The Frankenstein issue – Out now!
In the back section… Jafar Panahi Marina Ashioti talks to the Iranian legend who discusses his deserving Palme d’Or-winner, It…
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Frankenstein review – Jacob Elordi is a revelation
The first time that I encountered a version of ‘Frankenstein’ it was in the form of a stage play too advanced for my…
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The Black Phone 2 review – A Nightmare on Elm…
In Scott Derrickson’s 1978-set The Black Phone, ‘the Grabber’ (Ethan Hawke) was just a run-of-the-mill masked killer. His boy victims, however,…
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Good Boy review – a pooch perfect ghostly tale
The idiom “you can’t teach an old dog new tricks” has felt especially relevant in regards to horror lately –…
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A House of Dynamite review – a skilful and timely…
Now and then it occurs to me that the future of my very existence, as well as that of the…
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